2024 SEEING REDEMPTION （26 works）
2024 SEEING REDEMPTION
————————————————
这是一个关于恩典、饶恕与重生的视觉默想。
作品并不叙述救赎故事，而是通过抽象形式传达因信靠基督而发生的灵魂转化。
This is a visual meditation on grace, forgiveness, and rebirth. Rather than narrating the story of redemption, the works abstractly embody the soul’s transformation through faith in Christ.
1) Catalog Entry｜作品条目
中文
系列 / 作品名：Seeing Redemption 71
媒材：数字绘画（Procreate｜iPad Pro｜Apple Pencil）
尺寸：1714 × 4096 px
签名：Sherwin 122724
日期：2024/12/27
地点：Temple City, CA, USA
English
Series / Title: Seeing Redemption 71
Medium: Digital Painting (Procreate | iPad Pro | Apple Pencil)
Size: 1714 × 4096 px
Signature: Sherwin 122724
Date: Dec 27, 2024
Location: Temple City, CA, USA
2) Visual Analysis｜视觉解析
中文
整幅画面被层层叠叠的绿色覆盖：深绿像林荫与阴影，浅绿与黄绿像新叶与湿润的光。大量点状飞溅与擦刷纹理交织，制造出“叶面、苔藓、露水、风痕”的综合触感。画面中部偏右有一处更明亮的开阔区，像林间透下的一束光或一块被照亮的空地；几笔弧形的重刷痕迹，像路径、像风向，也像“生命在更新时的呼吸”。纵向画幅强化了从下至上的生长感：像从土里、从暗处，一寸寸往光里长。
English
The composition is immersed in layered greens: deep tones read as canopy and shadow, while yellow-greens feel like new leaves and moisture-lit air. Speckles and scrubbed textures weave together into a tactile field—leaf, moss, dew, and wind marks at once. Near the mid-right, a lighter clearing opens like a shaft of light or a sunlit gap in the foliage. Curved, heavier strokes suggest a path, a current, or the “breath” of renewal. The vertical format intensifies an upward-growing motion—as if life is rising from soil and shadow toward light.
3) Creative Intent｜创作意图
中文
这件作品不像在描绘一棵树或一片草地，更像在捕捉“被更新的过程”：不是一下子变清晰，而是通过无数次覆盖、擦拭、再生，让画面从杂沓中出现方向。你把救赎呈现为一种“渐明”：光不是把一切擦掉，而是在复杂里开出可呼吸的空间；让人看见：生命仍在，路仍在，甚至在最密的绿里，也有一处会亮起来。
English
Rather than depicting a specific tree or landscape, the work captures the process of being renewed: clarity doesn’t arrive all at once—it emerges through repeated layering, rubbing back, and re-forming. Redemption appears here as “gradual brightening.” Light doesn’t erase complexity; it opens breathable space within it, letting us sense that life continues, a way forward remains, and even in the densest green, something will brighten.
4) Technique Notes｜技法笔记
中文
你用多层薄涂与擦刷形成雾状肌理，再以点状泼洒制造颗粒与节奏；密处不闷，因为有不同透明度的叠色与冷暖微差。弧形大笔触像“定向的风”，为画面建立流动结构；局部的浅色开口则像“留白式的光源”，把视线牵引到中段，再让观者从那里回望四周的繁茂。纵向比例使这些流动更像攀升与长成。
English
Layered translucent passes and scrubbed strokes create a misted texture, while spattered marks add grain and rhythm. Dense areas don’t feel heavy because the overlays vary in opacity with subtle warm/cool shifts. Broad curved strokes function like directional wind, giving the field a hidden structure. A lighter “opening” acts as reserved light, pulling the eye toward the middle and then sending it back into the surrounding growth. The tall format makes the flow feel like rising and becoming.
5) Spiritual Reading｜属灵解读
中文
《Seeing Redemption 71》像一段属灵经历：当人身处“密林般的现实”——思绪、忧虑、责任、软弱——救赎并不总以轰然的方式临到，更多时候是“在层层覆盖里慢慢显明”。这幅画的亮处像恩典的“空隙”：不是因为环境立刻变简单，而是神在复杂中给人一个可以呼吸、可以转向的地方。深绿不再只是压迫，它也成为遮盖与保护；而那束光提醒我们：神能使荒凉之处再度发芽，使心里枯干的地重新湿润（可联想到诗篇23与以赛亚书的更新意象）。救赎在这里不是逃离，而是——在原地被复苏、被带回生命。
English
Seeing Redemption 71 reads like a spiritual experience: when we live inside “dense forest reality”—thoughts, anxiety, duty, weakness—redemption doesn’t always arrive as a sudden breakthrough. Often it reveals itself slowly, within layers. The bright clearing feels like a gap of grace: not because life becomes instantly simple, but because God makes a place to breathe and turn. Deep green becomes more than pressure; it becomes covering and protection. And that light insists: God can make dry ground bud again and refresh what has grown weary (echoing renewal imagery found in Psalm 23 and Isaiah). Redemption here is not escape, but revival—being brought back to life where you are.
6) Wall Label｜墙签文案
中文
Seeing Redemption 71 以层叠的绿色与飞溅的颗粒建构一片“可呼吸的密林”。中段的明亮开口像恩典的空隙，在复杂与浓密之中为视线留出方向。作品把救赎描绘为渐明与复苏——在遮蔽里仍有光，在繁茂里仍有路。
English
Seeing Redemption 71 builds a “breathable thicket” through layered greens and granular splatters. A brighter opening near the center reads as a gap of grace, preserving direction within complexity. The work portrays redemption as gradual brightening and revival—light within cover, and a way forward within abundance.
Keywords｜关键词
中文：更新、复苏、绿荫、恩典空隙、林间之光、湿润、呼吸、路径、遮盖、盼望
English: renewal, revival, canopy, gap of grace, woodland light, moisture, breathing space, path, covering, hope
创作灵感思路 Creative Inspiration
这幅画以浓郁的绿色为主调，层层交错的笔触呈现出一种流动的、生命性的律动。它既像是一片密林中的风、又如柔和草地的涌动，也可以被看作是一种心灵的波动与回响。唯一的白色破口，在右上角轻轻撕开沉绿的表层，为整幅画引入了焦点与张力。灵感源于一种深层的“等待”——一种在密林深处盼望被看见、被光照的期待。
This artwork is dominated by deep green hues, with layered strokes that evoke a sense of movement and life. It resembles the wind sweeping through a forest or the undulating motion of soft grass—and perhaps even the stirrings of the inner soul. A single rupture of white in the upper right quietly tears through the green, bringing contrast and tension to the composition. The inspiration lies in a deep longing—a quiet waiting to be seen, to be touched by light amid the dense wilderness.
作品属灵解读 Spiritual Interpretation
《Seeing Redemption 70》是一个关于“神如何看见”的隐喻图像。圣经中亚伯拉罕称那地为“耶和华以勒”，意思是“神必预备”，也是“神必看见”（创22:14）。画面中的绿色象征生命、生长与盼望；而那一处白光的显现，则如同神的目光穿透遮蔽、直达内心。这不是人主动寻找救赎，而是神主动看见人。那一刻，你被神看见，也被恩典照亮。
“Seeing Redemption 70” is a metaphorical image about how God sees. In Scripture, Abraham names the place “Jehovah Jireh” — which means both “the Lord will provide” and “the Lord will see” (Genesis 22:14). The green landscape symbolizes life, growth, and hope; the single emergence of white light reflects the moment God’s gaze breaks through the veil, reaching the depths. Redemption does not begin with us searching for God—it begins when God sees us. In that moment, you are seen, and grace begins to shine.
创作灵感思路 Creative Inspiration
这幅画是一片律动的绿野，像是阳光穿透树冠照在地面，也像是风掠过草地时层层荡漾的涟漪。笔触轻盈，色彩清亮，充满了初春的气息与更新的力量。这幅作品诞生于一个宁静的灵修早晨，灵感来自诗篇23篇——“祂使我躺卧在青草地上，领我在可安歇的水边”。
This painting is a vibrant green landscape, evoking dappled light filtering through treetops or the gentle rippling of grass in the breeze. The brushwork is airy and the tones are luminous, filled with the freshness of spring and the power of renewal. It was created during a peaceful devotional morning, inspired by Psalm 23: “He makes me lie down in green pastures, He leads me beside still waters.”
✨作品属灵解读 Spiritual Interpretation
《Seeing Redemption 69》呈现的是一种属灵的“青草地”——不是外在环境的安逸，而是灵魂在主里得着牧养后的宁息。那些白色的破口，如光照亮心田，提醒我们：真正的赎回，是神将我们带回祂的同在之中。这画面虽无具象，但正因抽象，才更真实地描绘出神内在的工作——引导我们安歇、恢复、并重得生命的路径。
“Seeing Redemption 69” portrays a spiritual green pasture—not the comfort of outer circumstances, but the inner rest of a soul shepherded by the Lord. The white breaks in the composition are like beams of divine light, reminding us that true redemption is being brought back into God’s presence. Though abstract, the work conveys with deep honesty the inner process of God's work: guiding, restoring, and reviving the soul.
祂的救恩如清泉，使荒原苏醒，使我心重生！
His salvation flows like a spring-reviving wastelands and renewing ma soul !
Seeing Redemption 68
Acrylic on watercolor paper
9 x 12 inches (22.9 x 30.5 cm)
Signed:Sherwin. 122524
12 / 25 / 2024
Temple City. CA
绿，是重生之后的第一个颜色。
Green is the First Color after being reborn.
Seeing Redemption 67
Acrylic on watercolor paper
9 x 12 inches (22.9 x 30.5 cm)
Signed:Sherwin. 122424
12 / 24 / 2024
Temple City. CA
救赎不是雷声，是清露未落前的宁静。
Redemption is not thunder , but the stillness before the dew .
Seeing Redemption 66
Acrylic on watercolor paper
9 x 12 inches (22.9 x 30.5 cm)
Signed:Sherwin. 121824
12 / 18 / 2024
Temple City. CA
我曾枯干，如今青翠；我曾失明，如今得见。
I was barren , now verdant ; once blind , now I see.
Seeing Redemption 65
Acrylic on watercolor paper
11 x 15 inches (27.9 x 38.1 cm)
Signed:Sherwin. 110524
11 / 05 / 2024
Temple City. CA
恩典无形，却在此留下痕迹。
Grace is formless , yet it leaves marks here .
Seeing Redemption 64
Acrylic on watercolor paper
9 x 12 inches (22.9 x 30.5 cm)
Signed:Sherwin. 101824
10 / 18 / 2024
Temple City. CA
祂用翠绿编织我的新名字。
He stitched my new name in green.
Seeing Redemption 63
Acrylic on watercolor paper
11 x 15 inches (27.9 x 38.1 cm)
Signed:Sherwin. 101724
10 / 17 / 2024
Temple City. CA
色彩之中，有一条通往主的安静小径。
Within color lies a quiet path to the Lord.
Seeing Redemption 48
Acrylic on paper
12 x 12 inches (30.5 x 30.5 cm)
Signed:Sherwin. 010124
01 / 01 / 2024
Temple City. CA
Art Statement
Since November 2023, I have embarked on a transformative artistic journey, relinquishing my previous focus on representational landscapes. Inspired by the divine, I have embraced a new direction, employing bold color palettes and minimalist compositions to convey themes of salvation, redemption, mercy, and truth.
In this exploration of spirituality, my artworks serve as visual narratives, inviting viewers to immerse themselves in the profound emotions of peace, joy, and transcendence that accompany the acceptance of a higher power. Through simplicity and vibrant hues, I seek to transcend the confines of the tangible, offering a visual sanctuary where one can experience the beauty and wonder of a heart at peace and a spirit filled with joy after embracing the divine.
My intention is for the audience to connect with these canvases on a profound level, to perceive the intangible sensations that accompany a surrendered heart. In each piece, I endeavor to capture the essence of the transformative journey towards an inner tranquility that transcends the ordinary, providing a glimpse into the profound emotions that accompany a harmonious union with the divine.
May these artworks serve as vessels of inspiration, prompting contemplation and reflection on the profound beauty that lies within the acceptance of a higher power and the resulting inner serenity.
希望在湿润的色块中苏醒。
Hope awakes in the moistened hues.
Seeing Redemption 49
Acrylic on paper
12 x 12 inches (30.5 x 30.5 cm)
Signed:Sherwin. 010324
01 / 03 / 2024
Temple City. CA
这是悔改后的青草地，不再流浪。
This is the pasture of repentance, no longer wandering.
Seeing Redemption 50
Acrylic on paper
12 x 12 inches (30.5 x 30.5 cm)
Signed:Sherwin. 011124
01 / 11 / 2024
Temple City. CA
每一层绿色都是旧事已过的见证。
Each layer of green testifies the old has passed away.
Seeing Redemption 51
Acrylic on paper
12 x 12 inches (30.5 x 30.5 cm)
Signed:Sherwin. 011424
01 / 14 / 2024
Temple City. CA
神没有用火炼我，而是用春意环绕我。
God did not refine me with fire , but encircled me with spring.
Seeing Redemption 52
Acrylic on paper
12 x 12 inches (30.5 x 30.5 cm)
Signed:Sherwin. 012024
01 / 20 / 2024
Temple City. CA
————————————————
1) Catalog Entry｜作品条目
中文
系列 / 作品名：Seeing Redemption 52
媒材：纸上丙烯
尺寸：12 × 12 in（30.5 × 30.5 cm）
签名：Sherwin｜012024
日期：2024/01/20
地点：Temple City, CA
English
Series / Title: Seeing Redemption 52
Medium: Acrylic on paper
Size: 12 × 12 in (30.5 × 30.5 cm)
Signature: Sherwin | 012024
Date: Jan 20, 2024
Location: Temple City, CA
2) Visual Analysis｜视觉解析
中文
画面由高饱和的绿色统摄，黄绿色在间隙处像“被刮开”的光层，形成强烈的正负形对比。笔触以宽平刷痕为主，带着明显的叠涂边缘与纸面纹理，像墙面、台阶、栏板的片段被切割重组。中部偏上有竖向的深绿“柱”状形体，与周围横向刷痕形成纵横交错的结构；右侧斜向的大面块把空间推向一处“转角”。整体给人一种在密实覆盖中，仍不断出现裂口与亮处的节奏。
English
A high-saturation green dominates the field, while yellow-green breaks through like scraped-open light, creating strong positive/negative contrast. Broad, flat strokes and layered edges reveal the paper’s texture, suggesting fragments of wall, steps, or railing-like planes cut and reassembled. Near the upper center, a vertical deep-green “pillar” intersects with horizontal stroke bands, building a cross-gridded structure. A large diagonal plane on the right pushes the space toward a “corner.” Throughout, dense coverage continually yields to openings and flashes—light arriving in intervals.
3) Creative Intent｜创作意图
中文
这幅作品不像在“讲一个故事”，更像在训练眼睛：在同一片绿色里，看见差异、看见出口、看见光从哪里冒出来。你把救赎画成一种“在覆盖中显现”的过程——不是把黑暗一笔抹去，而是让光从缝里、从边里、从转角处被看见。观者被邀请去辨认：哪些是墙，哪些是路，哪些是门槛；也被邀请去相信：当你以为只剩一整片同质的压力时，神仍在其中留下可呼吸的空隙。
English
This work doesn’t “tell a story” so much as it trains perception: to see difference, openings, and emerging light within the same green field. Redemption is pictured as revelation within covering—not the instant removal of darkness, but light made visible through seams, edges, and corners. The viewer is invited to discern what is wall, what is path, what is threshold—and to trust that when life feels like a single, uniform pressure, God still preserves breathable gaps within it.
4) Technique Notes｜技法笔记
中文
丙烯在纸上的干湿变化被你充分利用：一处厚涂形成不透明的绿墙，另一处薄涂让底色透出，黄绿像从底层反光。平刷的“拖刷”留下清晰刷痕，产生节奏性的横向层带；竖向形体则通过更密的覆盖与边缘回刷建立重量。局部像被“刮”或“擦”出的亮带，让画面不止是色块拼接，更像在表层被打开、被揭示。
English
You make full use of acrylic’s wet/dry behavior on paper: thick passages build opaque green “walls,” while thinner layers allow underlight to show through, so yellow-green reads like reflected ground light. Dragged flat-brush marks leave clear striations, creating rhythmic horizontal bands. Vertical forms gain weight through denser coverage and edge reworking. Areas that feel scraped or wiped into brightness turn the surface into an act of unveiling, not merely color-block assembly.
5) Spiritual Reading｜属灵解读
中文
《Seeing Redemption 52》像一段“在遮盖里学会看见”的功课。绿色可以是生命，也可以是遮蔽：当它铺满时，人容易以为一切都被同一种状态吞没——情绪、困境、季节性的低谷。但你在画里留下许多黄绿的“被打开之处”，像恩典的缝隙：神不一定先改变环境的颜色，却先改变我们的视线，让我们在同一处境里看见祂的光、祂的引导、祂为人预备的转角与出路。那根竖向的“柱”也可被读作站立的应许：在摇动之中仍有可倚靠的支撑。救赎因此不是远处的答案，而是当下被赐下的“看见”。
English
Seeing Redemption 52 feels like a lesson in seeing within covering. Green can signify life, but it can also function as concealment: when it fills everything, we assume one condition has swallowed the whole—emotion, hardship, a seasonal low. Yet the work preserves many yellow-green “openings,” like seams of grace. God may not first change the color of the environment; He may first change our sight—so within the same situation we notice His light, His guidance, the corner He has prepared for turning. The vertical “pillar” can read as a standing promise: a support that remains when things feel unstable. Redemption here is not a distant answer, but a present gift of vision.
6) Wall Label｜墙签文案
中文
Seeing Redemption 52 以浓烈的绿色覆盖全幅，却在层层刷痕之间留下黄绿的开口，如被揭开的光。横向与竖向的结构在画面中交错，暗示墙与路、遮蔽与出口的并存。作品将“救赎”呈现为一种被赐下的看见：在同一处境里，光从缝隙显明，方向从转角出现。
English
Seeing Redemption 52 floods the surface with vivid green, yet preserves yellow-green openings between layered strokes—light as if uncovered. Horizontal and vertical structures intersect, suggesting wall and path, concealment and exit existing together. The work frames “redemption” as granted sight: within the same circumstances, light reveals itself through seams, and direction appears at the corner.
Keywords｜关键词
中文：揭示、缝隙之光、转角、门槛、遮盖、路径、应许、更新的视线、层叠、呼吸空间
English: unveiling, seam-light, corner, threshold, covering, pathway, promise, renewed sight, layering, breathing space
祂的手按过此地，绿意即生。
His hand touched here, and green arose.
Seeing Redemption 53
Acrylic on paper
12 x 12 inches (30.5 x 30.5 cm)
Signed:Sherwin. 012224
01 / 22 / 2024
Temple City. CA
Seeing Redemption 54
Acrylic on paper
12 x 12 inches (30.5 x 30.5 cm)
Signed:Sherwin. 012424
01 / 24 / 2024
Temple City. CA
层叠的结构如同生命的重构，象征被救赎的过程。Seeing Redemption #55
Acrylic on paper
12 x 12 inches (30.5 x 30.5 cm)
Signed:Sherwin. 020424
02 / 04 / 2024
Temple City. CA
——————————————
1) Catalog Entry ｜ 作品信息
Series / 系列：Seeing Redemption 《看见救赎》
Title / 标题：Seeing Redemption 55
Year / 年份：2024
Medium / 材质：Acrylic on paper 纸本丙烯
Size / 尺寸：12 × 12 in（30.5 × 30.5 cm）
Place / 创作地：Temple City, CA, USA 美国加州天普市
2) Visual Analysis ｜ 形式与画面
EN
The square image is flooded with luminous yellow-green, crossed by darker green bands that run diagonally from lower left to upper right. These bands break into repeating rectangular marks, like imprints or tracks laid side by side. Near the center a cooler turquoise glow opens up, soft and slightly oval, as if a light source were shining from beneath the surface. The overall effect hovers between an aerial view of fields and a close-up of textured fabric or fingerprints, all gently tilted, giving the painting a sense of quiet movement.
ZH
画面为正方形，整体被明亮的黄绿色铺满，其上有一条条较深的绿色带，从左下向右上斜向穿过。每一条带子都被分解成一个个重复的长方形印痕，像是一排排并列的轨道或压印。靠近中央的位置，一块偏冷的蓝绿色光晕缓缓展开，略带椭圆形，好像有光源从画面内部透出来。整体观感介于俯视的田地与放大的织物／指纹纹理之间，再加上斜向的构图，使画面带着温缓而持续的流动感。
3) Creative Intent ｜ 创作意图
EN
Within this piece, the familiar grid of daily life is purposely simplified into bands and blocks. By tilting the whole structure and bathing it in vibrating greens, the artist suggests a shift in perspective: what once felt rigid—like streets, habits, or rows of memories—can be seen as a living field. The central turquoise area becomes a soft focus point where the eye can rest, hinting at a moment when a new understanding suddenly opens in the middle of repetition.
ZH
在这幅作品中，那些日常生活中熟悉的“格子”被刻意简化成斜向的带状与方块。通过把整体结构倾斜，并用跃动的绿调包裹，作者暗示一种视角的改变：原本僵硬的东西——街区、习惯、甚至一排排记忆——也可以被看成充满生命力的田地。画面中央蓝绿色的区域成为温和的聚焦点，让视线在此停留，仿佛在一连串重复之中，突然打开的一刻新的领悟。
4) Technique Notes ｜ 技法与过程
EN
Thin and thick layers of acrylic are brushed and pressed onto the paper, then partially lifted to leave a pattern of repeated rectangles. The artist likely uses a flat tool or edge to create the parallel strips, dragging pigment in one direction and allowing the under-color to shine through. Transparent and opaque greens overlap, producing subtle variations where the brush skips or the pressure changes. In the center, smoother blending and light glazing build the turquoise glow, contrasting with the more textured surrounding marks.
ZH
画面通过厚薄不一的丙烯层在纸上不断刷涂、按压，再部分提起颜料，留下一个个重复的长方形印痕。作者很可能使用平口工具或边缘，制造出平行的条带，在单向拖曳颜料的同时，让底色时隐时现。透明与不透明的绿色相互叠加，在笔触跳跃和力度变化处产生细腻的色差。中央区域则采用更柔和的晕染与薄涂叠加，营造出蓝绿色的光晕，与周围更有纹理感的笔触形成对比。
5) Spiritual Reading ｜ 属灵解读
EN
Spiritually, the painting suggests a city or life pattern viewed from above—orderly yet worn by time. The repeated blocks can be read as old routines, failures, or even scars that seem to define who we are. Into this grid, a gentle center of light appears: redemption not as a violent erasing, but as a new presence that begins to glow within what already exists. As the green field leans diagonally, it hints at movement—God quietly tilting our fixed structures so that what used to feel like walls can become pathways. “Seeing redemption” here is learning to recognize that even our most repetitive patterns can be held and slowly transformed by a gracious, living light.
ZH
在属灵层面上，这幅画像是从高处看到的一座城市或一个人生结构——表面井然有序，却布满时间的痕迹。这些一格格重复的形状，可以被理解为我们旧有的节奏、失败，甚至烙在生命里的伤痕，仿佛这些东西就定义了我们是谁。而在这张密布的网格之中，却升起一个温柔的核心光源：救赎并不是粗暴地将一切抹去，而是一个新的同在，进入既有的结构之内，开始发光。整片绿色斜斜倾斜，暗示了一种被带动的方向——神悄悄扭转那些看似固定的结构，使曾经像“围墙”的部分，慢慢转变为可以行走的路径。“看见救赎”，就是学会在这些最重复、最顽固的模式之中，认出那道正在温柔改变一切的恩典之光。
6) Wall Label ｜ 展墙文字
EN (Wall Text)
Seeing Redemption 55 presents a tilted field of luminous greens built from repeating rectangular marks. The image oscillates between an aerial view of city blocks and a close-up of layered texture. At the center, a quiet turquoise glow interrupts the grid, suggesting redemption as a new light that appears inside our most familiar patterns rather than outside them.
中文（展墙文字）
《看见救赎 55》是一片被倾斜的绿意场域，由一格格重复的印痕构成，在俯视的街区与放大的肌理之间来回游移。画面中央那团宁静的蓝绿色光晕打断了原有的格子结构，隐喻救赎并非在我们生命之外，而是进入最熟悉的模式之中，在其中慢慢发光。
Seeing Redemption 56
Acrylic on paper
12 x 12 inches (30.5 x 30.5 cm)
Signed:Sherwin. 020424
02 / 23 / 2024
Temple City. CA
一道象征性的“裂缝”，正是光与新生进入之处。
A symbolic “fracture” marks the point where light and new life break in.
Seeing Redemption 57
Acrylic on paper
12 x 12 inches (30.5 x 30.5 cm)
Signed:Sherwin. 030924
03 / 09 / 2024
Temple City. CA
Seeing Redemption 58
Acrylic on watercolor paper
11 x 15 inches (27.9 x 38.1 cm)
Signed:Sherwin. 092324
09 / 23 / 2024
Temple City. CA
Seeing Redemption 59
Acrylic on watercolor paper
9 x 12 inches (22.9 x 30.5 cm)
Signed:Sherwin. 092424
09 / 24 / 2024
Temple City. CA
Seeing Redemption 60
Acrylic on watercolor paper
9 x 12 inches (22.9 x 30.5 cm)
Signed:Sherwin. 092524
09 / 25 / 2024
Temple City. CA
Seeing Redemption 61
Acrylic on watercolor paper
9 x 12 inches (22.9 x 30.5 cm)
Signed:Sherwin. 092724
09 / 27 / 2024
Temple City. CA
色彩的渐变象征从破碎到复原，从黑暗进入光明的旅程。
The gradient of color represents the journey from brokenness to wholeness, from darkness into light.
Seeing Redemption 62
Acrylic on watercolor paper
11 x 15 inches (27.9 x 38.1 cm)
Signed:Sherwin. 100724
10 / 07 / 2024
Temple City. CA
Comments
Post a Comment